This course looks closely at how contemporary Latinx artists are reimagining photographic encounters and arrangements. The longer history of photography is traditionally told in terms of documentation, truth claims, the democratization of art, and colonial surveillance regimes. This course gives pride of place to Latinx artists who use the medium and its iterations (e.g. video installations, cyanotypes, photo collage, repurposing archival prints) to figure unconventional notions of intimacy, diaspora, identity, archives, revolution, futures, and immediacy.