Joshua Kotin
Joshua Kotin is an associate professor in the Department of English. He is also an affiliated faculty member in the Program in Russian, East European, and Eurasian Studies (REEES); and an associated faculty member at the University Center for Human Values (UCHV). His research and teaching focus on modernism, poetry and poetics, nineteenth- and twentieth-century American literature, contemporary poetry, and literary theory. He received his B.A. from McGill University and his Ph.D. from the University of Chicago. From 2005 to 2008, he was editor of Chicago Review.
Kotin’s first book, Utopias of One (Princeton University Press, 2018), examines the connection between personal and aesthetic autonomy in the work (and lives) of Henry David Thoreau, W.E.B. Du Bois, Osip and Nadezhda Mandel’shtam, Anna Akhmatova, Wallace Stevens, Ezra Pound, J.H. Prynne, and Emily Dickinson. Articles drawn from the book have been published in PMLA (on Stevens) and Modernism/modernity (on the Mandel’shtams) and News from Afar: Ezra Pound and Contemporary British Poetries (2014).
Kotin is now writing a book about the formation and dissolution of literary communities from the midnineteenth century to the present. His research currently focuses on Amiri Baraka’s networks in New York and Newark in the 1960s and 1970s. Kotin is also working on a series of essays on critical keywords (“contemporary,” “innovative,” “ahistorical”) and on neglected literary artifacts (rejection letters, address books, subscription lists).
In addition to his critical writing, Kotin directs a digital humanities project, “The Shakespeare and Company Project.” (A preview may be found here.) He is also co-editing two special issues: one for the Journal of Modern Periodical Studies on digital archives and avant-garde magazines, and one for Post45: Peer Reviewed on contemporary literature and culture. Over the past three years, he has been working with Rare Books and Special Collections at Princeton’s Firestone Library to develop collections of concrete and visual poetry, language writing, and postwar poetry magazines.
Kotin teaches a wide range of courses at Princeton. Recent undergraduate courses include “James Joyce’s Ulysses,” “Contemporary Poetry,” and “Melville and His Readers.” Recent graduate courses include “Postwar New York,” “The Avant-Garde,” and “Ezra Pound and Modern Poetry.”
[Updated 11/17]
Book
Utopias of One, Princeton University Press, 2018.
Essays
[with Michael Kindellan]. “The Cantos and Pedagogy.” Modernist Cultures 12.3 (2017): 345–390, published with critical responses from Charles Altieri, Michael Coyle and Steven Yao, Alan Golding, and Marjorie Perloff.
“Osip and Nadezhda Mandel’shtam and Soviet Utopianism.” Modernism/modernity 24.1 (2017): 161–183.
“Stevens v. Frost.” The Wallace Stevens Journal 41.1 (2017): 81–89.
“On Reading and Rereading Contemporary Poetry.” Chicago Review 60:2 (2016): 194–199.
[with Sarah Chihaya and Kinohi Nishikawa]. “‘The Contemporary’ by the Numbers.” Post45: Contemporaries (2016).
“Wallace Stevens’s Point of View.” PMLA 130.1 (2015): 54–68.
“The Archives of A. Walton Litz.” Make It New: The Ezra Pound Society Magazine 1.3 (2014): 55–58.
“Helen Vendler’s On Extended Wings Today.” The Wallace Stevens Journal 38.2 (Fall 2014): 153–157.
“Blood-Stained Battle-Flags: Ezra Pound, J.H. Prynne, and Classical Chinese Poetry.” News from Afar: Ezra Pound and Contemporary British Poetry, ed. Richard Parker. Bristol: Shearsman, 2014, 133–141.
“Philip Lamantia’s Practical Politics.” Colloquium 1 (2012).
“The Anti-Review.” Afterword to A Question Mark Above the Sun, Documents on the Mystery Surrounding a Famous Poem “by” Frank O’Hara, by Kent Johnson. Buffalo: Starcherone Books, 2012, 249–257.
Interviews
[with Jeff Dolven]. “The Art of Poetry No. 101: J.H. Prynne.” Paris Review 218 (2016): 174–207.
[with Michael Kindellan and V. Joshua Adams]. “An Interview with Stephen Rodefer.” Chicago Review 54.3 (2009): 8–28.
Reviews
Review of Poetical Works: 1999–2015, by Keston Sutherland (London: Enitharmon Press, 2015) The Cambridge Humanities Review, forthcoming.
Review of Wallace Stevens Among Others: Diva-Dames, Deleuze, and American Culture, by David R. Jarraway (Montreal and Kingston: McGill-Queen’s University Press, 2015) ESC: English Studies in Canada (43.1 (2017): 116–118.
Review of Concepts and Conception in Poetry, by J.H. Prynne (Cambridge: Critical Documents, 2014). The Wallace Stevens Journal 39.1 (2015): 128–130.
Review of In Defense of Nothing: Selected Poems, 1987–2011, by Peter Gizzi (Middletown: Wesleyan University Press, 2014). Chicago Review 58:3/4 (2014): 336–340.
Review of Wallace Stevens, New York, and Modernism, ed. Lisa Goldfarb and Bart Eeckhout (New York: Routledge, 2012). Modernism/modernity, 21.1 (2014): 381–383.
“The Authentic Hemingway.” Review of The Letters of Ernest Hemingway, Vol. 2: 1923–1925, ed. Sandra Spanier et al. (Cambridge: Cambridge University Press, 2013). Los Angeles Review of Books (January 1, 2014).
Review of Writing against Time, by Michael Clune (Stanford: Stanford University Press, 2013). nonsite.org 10 (2013).